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Celebrating Pride: authentic marketing & community led branding

Celebrating Pride: authentic marketing & community led branding

Celebrating Pride: authentic marketing & community led branding

LGBTQIA+ influencers and activists are highly influential contacts who have nurtured loyal, trusting, and dedicated audiences. As these activists pioneer to change society, so does the incentive for brands to get involved in the movement. Varying across markets, over the months of June, July, and August, a multitude of campaigns and products are launched by lifestyle brands to celebrate Pride Month. However, consumers are becoming more and more aware of the intentions and actions behind brands; as companies incorporate Pride branding into their campaigns, so does the backlash for those who do so inauthentically, and with no intention of actually supporting the LGBTQIA+ community. 

VOCAST has interviewed three incredible industry insiders working in the activist and lifestyle space. They have highlighted the impact and benefits of brands working within the community, and also shared advice and suggestions on how brands should work authentically and effectively with LGBTQIA+ influencers not only during Pride Month but all year round. 

Meet Mikko, Benjamin & Charlie

Mikko (he/him), Gender Fluidity expert @ Vogue Scandinavia

Hailing from the small Finnish town of Muurame, Mikko Puttonen started his career capturing the natural beauty of the lakes and forests around him as well as documenting his personal style. Mikko, who champions fluidity in fashion, “I am extremely excited and proud to be joining Vogue Scandinavia and to be part of their team. To me, fashion and dressing up have always been a way to express myself and have fun.” Mikko’s ethos is to erase the lines of gendered fashion.

Photographer: Lucas Ruska Martin

Benjamin (he/him), Organizational Chair @ Copenhagen Pride

Benjamin has been a part of Copenhagen Pride since 2019, and became organizational chair in 2021. He was the Managing Director of the 45 people secretariat in Happy Copenhagen, who delivered Copenhagen 2021 – WorldPride and EuroGames in August 2021. Besides his volunteer engagement as co-chair of Copenhagen Pride, he now works as CFO of The Danish Refugee Council Youth.

Charlie (she/her), Activist & Author

Charlie Craggs is an award-winning trans activist, author and media personality dubbed ‘the voice of a community’ by Vogue, best known for her national campaign Nail Transphobia, her LAMBDA nominated book To My Trans Sisters and her BBC documentary Transitioning Teens. Charlie has topped the Guardian’s New Radicals list of social innovators in Britain, been the recipient of a Marie Claire Future Shaper Award and fronted global campaigns for brands like The Body Shop, H&M and Selfridges.

Branding & Marketing Strategy During Pride Month

Brands that embrace their uniqueness and understand their powerful position are indispensable for helping communities. Utilizing a brand’s access to markets and large, diverse populations opens the door to creating campaigns that spark interest and encourage conversations through inclusive marketing campaigns. As Benjamin tells us, “using corporate influence to make broader changes is where companies can be truly helpful.”

The LGBTQIA+ community is not only vast, it is loyal. Activists and influencers in the community have the ability to reach audiences who truly trust their opinions because they understand their consumer demands on a highly personal level. Working with activists during Pride Month, as Charlie says, is not only just smart business, it’s the right thing to do. She explains how Pride branding is a recent phenomenon: 

« To have global brands coming out now and saying “we’re on your side” and to see them be pro LGBTQIA+ is huge especially when you remember a time when it wasn’t like that. »

Brands can be intimidated during Pride Month, some have been openly critiqued by the community for their branding strategy. When a campaign flops, Charlie says that it is easy to tell that no one from the community has been behind the marketing story. She advises brands to think about the diversity in front of the camera and behind it, understand the diversity within the letters: LGBTQIA, and take a permanent stance on issues. Mikko further explains that branding should always be authentic and that all support is welcome because, with more visibility, we are able to move towards a more inclusive world. He says that Pride is a time when people who are not part of the community can learn something, and by brands participating in the conversation, wider audiences are reached and opinions can be changed. By booking LGBTQIA+ talents, brands bring more opportunities directly to the community. Nevertheless, he says:

« Utilising pride month in brand strategies should never only be about thriving more sales or uplifting the brand image. »

What is the LGBTQIA+ community asking for during Pride Month?

Mikko explains that it is unethical to work with LGTBQIA+ talents only during Pride Month and forget about them for the other 11 months of the year:

« If you really want to support the community, do it all year round and book people for their talent and not just for their sexual orientation or identity. »

Charlie tells us the same thing: “We need you all year, not just for a month”, she says. She feels that pride campaigns, in general, are positive and show that a brand is on the right side of history, but it is much more empowering for the community to see themselves advertised not just for pride, but in any campaign, any time of year. She also explains the importance for brands to not bring in people from the community as an act of tokenism:

« It will be nice when I can do a campaign and it’s not even note-worthy that a trans person was included, thats what will feel equal and that’s the goal. »

A key thought to incorporate during any marketing campaign is that Pride Month and support of the LGBTQIA+ community is multifaceted as its members; there is no one cause to support, but rather a myriad of issues that affect each subgroup differently. Simply focusing on the overarching “rainbow” will often cause individual issues to be overlooked. Understanding the specific areas within the community can often prove more authentic and concrete when intending to lend support for change.

Authentic support is also deeper than marketing and branding. Benjamin explains that Pride branded products themselves are not a problem, “as long as corporations give authentic support to the LGBTQIA+ community and change internal policies”. He says that companies must, at the very least, have corporate policies to ensure that management supports a safe and supportive environment for employees. A brand’s own LGBTQIA+ employees must be supported and involved in a healthy work culture in order to not only be authentic when reaching out to outside communities but to be successful. Mikko also explains that support should be seen in all layers of the company, not just in the end result of a marketing or social media campaign:

« Look at the production teams, PRs, and creative teams. If everyone looks the same, something is wrong. »

What are consumers asking for during Pride Month?

In a time of brand transparency and interest, consumers are much more involved in the companies they choose to buy from. Studies show that over 50% of Millennials, the current largest consumer group, say that they are not only more likely to support a brand after seeing an “equality-themed ad”, but are also more likely to choose them over their competitors. Moreover, that financial incentives continue to grow: the LGBTQ+ community has a combined buying power of $3.7 trillion globally.

Benjamin explains that consumers are demanding more actions from corporations on the theme of equality, as well as other CSR-related themes such as climate and environment. He says that consumers are getting more critical and corporations need to go deeper than just rainbow packaging:

« Consumers have a critical eye on the companies that they buy from, which pressures companies who are rainbow washing. So, companies’ branding has been taken advantage of pride month, but we see a drastic change, where performing rainbow washing will backlash on companies. »

Do Not: rainbow wash

Rainbow washing is usually defined as a practice in which corporations that make no concrete effort to support LGBTQIA+ communities (and sometimes actively oppose them) utilize popularized rainbow pride branding to claim allyship.

Do: be an authentic ally

A support system in which someone from outside a marginalized group makes an obvious, genuine attempt to transfer the benefits of privilege to those who lack it, in order to advocate on the marginalized groups’ behalf, and support them to achieve change.

Do Not: be a performative ally

A gesture made from outside of the group that is symbolic in nature, intended to gain social capital and avoid outward scrutiny, but that has no impact on the marginalized community.

What are the impacts of Rainbow Washing?

Benjamin explains that rainbow washers will profit from symbolic support for the communities without contributing to the LGBTQIA + fight through funding, networking, changing policies, or activism. Rainbow washing has far-reaching impacts. It’s damaging, he tells us, because it misleads well-intentioned people into thinking they’re supporting the LGBTQIA+ community when in reality they’re filling the pockets of greedy corporations. He says that the misuse of the Pride flag has had a watering down effect on Pride as an event:

« In some people’s minds, Pride has become more about brand deals, sponsorships and celebrity appearances, rather than supporting queer voices and raising awareness for LGBTQIA+ issues. »

Moreover, any budget used by corporations to fulfill this often performative branding uses funds that would make a substantial difference otherwise. These funds could be applied to either supporting LGBTQIA+ nonprofits, or simply turned towards improving a company’s own culture and ensuring that their own LGBTQIA+ employees are supported. In other words, it can in fact remove opportunities for authentic allyship. This is not to say that small steps are not significant, research by GLAAD and Proctor & Gamble shows that inclusive media images and advertising lead to greater acceptance and understanding of the LGBTQIA+ community which is still a positive change. 

Support vs. Commodification

Mikko tells us that when finding the line between support and commodification, it’s about understanding people as individuals and more than a sexuality or identity. He explains the importance of listening more, and learning more:

« Invest in diversity and inclusion workshops for companies. In my opinion, close-mindedness comes often from a lack of information. »

Benjamin says that when a brand swaps its social media avatar to a rainbow version in June or otherwise shows some support, it has to reflect whether its ads feature the community year-round, whether it hires LGBTQIA+ employees, puts them in leadership positions, and whether the brand actually supports the community with resources and internal policies.

Charlie explains that brands should not create a collection for Pride Month if the profits are not contributing to the community. When defining the difference between support and commodification, she asks brands to remember what Pride Month means:

« It’s not just a celebration and a party. Pride started as a protest, a riot against the police. If you’re going to be monotizing off of that, you need to pay into the community. »

Mikko also encourages brands to find diverse people in the LGTBQIA+ community and listen to them, “you can have a brief but this is the time to give creative freedom” he says. He also advises that brands make sure they have LGBTQIA+ people in their own team or even consult someone, when planning campaigns:

« Being authentic, in my opinion, is the best pride strategy to celebrate the freedom to be who you are with no limits. Selling products shouldn’t be the main goal or focus. »

Marketing Advice

Key focus points

  1. Make it thoughtful, understanding, educational and authentic.
  2. Involve LGBTQIA+ people in the creation.
  3. Involve LGBTQIA+ people in the promotion.
  4. Ensure LGBTQIA+ inclusion after June.
  5. Make sure the brand is not speaking but amplifying.
  6. Make sure the brand has an LGBTQIA+ inclusive internal culture.
  7. Make your support global and not just in queer-friendly countries.
  8. Make sure profits from rainbow products go directly to the LGBTQIA+ community.

Benjamin, Organisational Chair of Copenhagen Pride

Representation in the decision room

When creating an LGBTQIA+ centered campaign, “representation in the decision room” can be crucial; getting influencers/activists involved from the beginning of campaign conception can help ensure an authentic and successful effort in which community members can feel as though their points of view were considered and that campaign is sincere. 

Focus on language

A clear focus on language choice in marketing and copy materials is also key. They are a crucial aspect of any marketing campaign but are even more so when it relates to a community that is often mislabeled and excluded using language.

Outward action reflects internal policy

When deciding to include and emphasize LGBTQIA+ communities in marketing, brands must do their best to ensure that their internal culture is similarly emphasized. 

Make use of activist and influencer expertise

When working with activists, you allow their identity and knowledge to shine through to the extent that you can be confident that you are creating an authentic partnership that allows for an authentic message.

Work with nonprofits that amplify LGBTQ+ voices

Show true allyship be mindful of other partnerships and who you choose to work with throughout the year. Working with an LGBTQIA+ non-profit during Pride Month and another partner who has demonstrated prejudice can undo all the work being done.

 

The LGBTQIA+ Influencers

Our research team has gathered some of the most exciting LGBTQIA+ community contacts from each market. Take a look below:

Denmark

Julia Sofia is originally known on YouTube, where she has been creating content since 2013, and she is now running her own makeup brand. In 2018 she uploaded a video on YouTube talking about her sexuality and being queer, which led to many interviews about her point of view on the LGBTQIA+ community. She is an advocate of just being yourself and not necessarily having to put a title on your sexuality. 

Sweden

Tone Sekelius is an influencer and singer from Stockholm, Sweden. In 2021 she came out as transgender and was the first openly transgender performing in Swedens biggest song contest, Melodifestivalen. This year, she received the award “LGBTQ of the year” in the QX gala.

Norway

Camilla Lorentzen and Julie Visnes are a Norwegian influencer couple. They share uplifting content revolving around their marriage and journey towards having children and have gained a large worldwide following on TikTok and Instagram.

France

Ilya is a French fashion and beauty influencer, who wants to encourage many to dress as they want regardless of gender norms. Ilya considers himself and his style to be “genderless” and is a true advocate and trendsetter when it comes to gender-fluid fashion.

Italy

After the huge success on musical.ly due to being a reference point for boys and girls of his age, Matteo continues his journey on TikTok by sharing funny and ironic videos, entertaining more than a million people every day. In addition to entertaining, Matteo spreads information on his channels, interacting and discussing with his community. He is one of the main influencers of the Italian LGBTQIA + community.

The Netherlands

Nikkie Tutorials is a Dutch makeup star who’s done the makeup for celebrities like Adele and Kim Kardashian. In January 2020 she made global news when she revealed she’d been transgender since she was six. She is a goodwill ambassador for the United Nations in The Netherlands, and focuses on themes like racism, gender equality, and women’s rights.

The US

Christopher Griffin is an influencer, plant enthusiast, collector and community builder based in Brooklyn, New York. They aim to continue to build an inclusive green community for everyone and create greater visibility as a Black queer femme who exists in green spaces.

The UK

Jamie Windust is an award-winning non-binary writer, public speaker and model from London. They have written for The Independent, Gay Times, British GQ, Cosmopolitan and INTO More, and were named as one of London’s most influential people.

Georgina is the UK Market Coordinator at VOCAST, responsible for British fashion and lifestyle research. Along with her work at VOCAST and studies at Copenhagen Business School, she is passionate about conscious fashion reform in the industry.

Olivia is the US Lifestyle Researcher at VOCAST. She received her degree in PR and Communications from Rutgers University, and has worked in Lifestyle and Fashion PR. 

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Cabin Culture & The Alpine Lifestyle

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Cabin Culture & The Alpine Lifestyle

Designing optimal personal spaces is not only reserved for our everyday homes; in some markets, recreational homes and cabins also have significant time and attention devoted to them. This is the case in the mountainous nations of Norway, Austria, and Switzerland, where the population values creating comfortable homes away from home in touch with nature.

The strong establishment of cabin interiors and the popularity of mountainous cabin destinations indicate that the market is developing, with niche magazines and influencers sharing content revolving around these spaces functioning as a source of inspiration for cabin owners. We have spoken to two experts within the field: Tonja Folkvard, Editor-in-Chief of Hytteliv, and Ellen Schwick, cabin interior influencer, shedding light on the strong market position of “cabin interior” and why brands can benefit from collaborating with profiles and publications that showcase these recreational homes.

Looking up north: Norway’s cabin dedication

For many Norwegians, going to one’s cabin is a highly valued way to unwind and connect with nature. Seizing the outdoors – whether it be skiing in the winter, or hiking in the summer – holds long traditions, and is inherently part of the culture. In fact, the element of history has a strong impact on Norwegian cabin culture. Cabins can remain in families for years and years: properties are passed down between generations and function as a shared recreational space for the extended family.

As a result, Norwegians have a strong relationship with their cabins, often stronger than that of their everyday homes. Many are hesitant towards renting their cabins out, and rather want to spend as much time as possible there themselves, including weekends and holidays like Easter, the latter being high seasons for cabin goers.

The most prominent cabin destinations in Norway are characterized by their closeness to outdoor sports facilities: among the most sought-after areas, you can find Trysil, Hemsedal, and Geilo. The common denominator between these destinations is their appeal and catering to a wide array of ages and interests, thus functioning as year-round nature and sports recreational zones for the whole family. 

With this in mind, it comes as no surprise that Norwegians are investing both time and effort into their cabins. Traditionally, Norwegian cabins are rustic and laid-back in style: comfort and functionality are key elements. However, in more recent years, the willingness to invest in these leisure spaces has increased: this applies to both the cabin’s interior as well as outdoor spaces like terraces.

  • Norway boasts 500,000 cabins, a vast amount compared to its modest population
  • 2,5 million Norwegians have access to a cabin property, equaling almost half of the entire country’s population
  • High ownership rate: 97,5% of all registered cabins are owned by Norwegians, indicating prominence and accessibility

 

The flourishing Alpine area and its impressive appeal

Surrounded by alpine peaks and wildflowers, once abandoned farming huts have been converted into chic and contemporary holiday cabins. The alpine region, including Switzerland and Austria, is, with 60-80 million tourists per year, one of the most visited regions on the European continent.

In fact, the tourism industry in the alps generates close to 50 billion in annual turnover and provides 10-12 % of all the jobs in this area. To draw the scope of the overall size of this business, the alpine region has, with its more than 600 ski resorts and 10,000 ski installations, an extremely dynamic infrastructure. 

Austrians as well as The Swiss, are very proud of their cabin culture. Their strong connection to the outdoors and skiing lifestyle is apparent and has resulted in an increase in people coming there for the whole experience. Their heritage is deeply integrated into their day-to-day lives as these two nations are situated directly within the alps and they have created their societal understanding around themselves interacting with their surroundings. This means the demand for typical alpine interior, both cozy cabin and chalet styles, remains high.

The most sought-after areas here are the regions of “Verbier”, “St. Moritz”, “Gstaad”, “Davos” and “Grindelwald”. Hence, one can say that the business thrives; this development generates great engagement amongst entrepreneurs and influencers that take pride in their surroundings by making it their topic of conversation.

  • Low homeownership rates are caused by tight property legislation: 50% of the population owns private properties 
  • Due to skyrocketing property prices in the Alps, cabins and chalets are mostly owned by luxury real-estate companies and hotels
Interview with Tonja Folkvard – Editor-in-Chief of Hytteliv 

Tonja Folkvard is the Editor-in-Chief of Hytteliv, Norway’s leading magazine about cabin interiors. With her extensive experience and expertise within the field, she has highlighted what trends and needs currently characterize the market of the Norwegian cabin interior, as well as how this is reflected in the magazine. (Picture credit: Caroline Roka)

What kind of content do you find that your reader base responds best to when it comes to the topic of alpine/cabin interior style?

Hytteliv’s readers are a diverse group, and there are variations between the different reader segments of this group when it comes to their preferences within cabin interior styles.

In general, articles that show inspirational photos in combination with interior decorating tips, cabin features, and shopping articles are well-liked amongst our readers.

Style-wise, a combination of the typical Norwegian cabin style, with wood panels as well as antique and retro objects, in combination with more modern furniture, like comfortable seating furniture, is popular. Color schemes are often inspired by the nature surrounding the cabin. For example, earth tones, greens in the mountains and greys, sand tones, blue and green by the sea.

Natural materials such as stone, wood, wool, and linen, and designs incorporating animals, flowers, and landscape, are popular. Many choose the view of the landscape outside the living room window as a focal point when furnishing. There is also an increased interest in both constructing and decorating cabins in a more environmentally friendly manner. Therefore, second-hand furniture and redesigned objects are often incorporated into the cabin interior.

To what extent does your publication conduct paid sponsorships with interior brands, and how well does it work within alpine/cabin-related content?

At Hytteliv, we publish commercial content in cooperation with commercial partners. This content is always clearly marked as an advertisement or sponsored content. We strive to ensure that all content published by us, commercial or not, should be of value to our readers. And as a measure to ensure this value, we use our unique reader data.

Following every issue of Hytteliv, content is tested in our reader panel, telling us that when commercial content is well made, it is highly valued by our readers.

Commercial content is normally produced by our content agency, Core Content, which has a broad understanding of the Hytteliv brand and its target group. We publish commercial content on a regular basis in our magazine, on social media, in our newsletter, and through Hytteliv.no and Klikk.no.

Interview with Ellen Schwick – Influencer and Cabin owner in Salzburg, Austria.

The “Hütte am Wald” cabin run by Ellen Schwick lies in the beautiful area of Salzburg, Austria. The owner, Ellen, has given us an exclusive insight into how she works as a content creator and nano-influencer. She also tells us about what interior pieces are especially worth mentioning and what she thinks sets alpine influencers apart from other interior content creators. 

What is the main difference between cabin interior / alpine influencers and other interior influencers? What makes them special?

In our opinion, alpine influencers are more focused on nature. The “coziness” inside the house is furthermore being emphasized because of the landscape it is embedded in. Our content is more outdoor-oriented with stronger adaptation to the changing seasons.

The activities of the guests are different very much throughout the seasons, therefore our communication needs to reflect that change. Values such as connection to nature, appreciation for natural materials, sustainability, and environmental awareness increasingly play a bigger role in how we create content.

What kind of product categories within interior content do you gravitate towards showcasing the most? What works best and receives the most engagement?

The choice of products to showcase is almost endless for us. We are representing products from all interior segments whether it be furniture for the dining, garden, living, and bathroom area or wellness, yoga, and kitchen -accessories but also sleeping equipment and toys for children are things we promote.

For us, the positioning of each product is important. A clear message and a unique selling proposition for our audience are details we think should be understandable right from the beginning of any campaign we engage in with brands. We know our target group well and therefore know what content ultimately drives conversion for us. Lastly, we always make sure to only work with brands that engage in our values and design aesthetic.

At the moment, the posts that drive the most engagement to highlight our cozy and cabin-like interior style. Pieces for the dining area and living room are definitely converting better than utensils for the bathroom and wellness area. Storytelling is also very much an integral part of our strategy and emphasizes the products we decide to promote (…)

A blanket is not nearly as interesting on its own but rather works as a promotion piece within a context.

 

Sara is the Norwegian Market Coordinator at VOCAST, responsible for Norwegian fashion and lifestyle research. When not at VOCAST, she studies Brand and Communications at Copenhagen Business School. Besides work and studies, she is a travel, music, and movie enthusiast.

 

 

 

Kevin is the DACH Market Coordinator at VOCAST. He grew up in Berlin, studying fashion journalism and communication, and has previously worked within fashion PR. Currently, he is studying toward a bachelor’s degree in Marketing and has a strong interest in sustainability, writing, and modern design practices.

 

 

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Summer Escape: a guide to country & summer houses

Summer Escape: a guide to country & summer houses

Summer Escape: a guide to country & summer houses

Packing your bags and escaping from that busy city lifestyle to a summer or country house is one of the most exciting summertime pleasures. Waking up to a bright sky and bird sounds, in a house amongst a field of wildflowers is a uniquely happy feeling. But it is more than just an aesthetic, summer & country houses have a culture of their own. In 2020, hashtags such as #cottagecore and #countryliving saw a 153% jump, and are now counting more than 600 million views on TikTok and 8 million posts on Instagram. Living in “fast-paced societies” makes us long for simplicity, and summer & country living have been an attractive way to revert back to slow living. Though they have a common purpose, summer & country homes have distinctive aesthetics and cultural aspects that differ across countries.

Picture this: a rustic country house surrounded by olive trees in the French Provence, a British cottage with its garden table covered in blossom, a sunny colored Danish summer house beside a vast white sand beach. But how can brands best use these cultural and aesthetic differences whilst still playing on the rising “escapism” and “country living” trend? VOCAST gathered insights from four different markets, to help you navigate through the summer & country homes trend.

Denmark: Summer House Hygge

With more than 200,000 summer houses across the country, summer houses are an integral part of the Danish lifestyle and come in many shapes and sizes. From cottages in gardens to modern houses in the dunes – whichever the type, Danish hygge is guaranteed. It is common for Danes to have a “second home” they can escape to during sunny weekends. In fact, from July 2021 to August 2021 there were more than 4 million overnight stays in Danish summer houses. Danes have summer houses all over the country, and often near the coast by the Danish Riviera, Bornholm, the West Coast, and Northern Jutland.

The traditional summer house style is described as romantic with “hygge” being at the center of the home – meaning that going to a summerhouse is about getting comfortable and being together around a fireplace during chilly evenings. Classic summer houses are usually one-story buildings made out of wood, with white windows – surrounded by a garden or dunes, as well as bikes. Since summer houses in Denmark are often considered “second homes”, the furniture, as well as the dishes and glassware, are often vintage and the furniture often gets passed on from generation to generation, rendering the interior very mixed when it comes to styles, with both vintage and new furniture. The interior is often simple with romantic pastel tones and light floral prints, as there needs to be much daylight and naturalness – and most importantly because Danish summer houses are about being casual and not wanting to “show off”.

France: Sophisticated Rural Living

From seaside houses by the cliffs in Normandy to rural country houses amongst lavender fields in Provence – France has a lot to offer when it comes to summer getaways. The charming countryside of Provence and the Côte d’Azur are amongst the most popular holiday regions in France, with a rise of 50% more summerhouse bookings in these regions in 2021. Summers in the South of France represents a true lifestyle – an afternoon of pétanque with friends, enjoying gourmet delicacies surrounded by the sounds of cicadas, and the most essential part; summer houses, which play an important role in the sophisticated “southern lifestyle”. One can quickly notice how French country houses represent a whole culture and a rising trend in itself – with blogs, magazines, and social media accounts being fully dedicated to French country living.

French country living is about slowing down, spending time with loved ones over long lunches and dinners, and letting nature “do its job”. Most French country houses are rural and made out of old stones, it is, therefore, essential to have a sober interior with furniture made out of marble and ceramic. Since French country houses are a family affair, much energy is put into finding the right interior furniture that does not disrupt the authenticity of the house and that has great value, families like to invest in valuable design pieces that will increase the authenticity of the house. The terrace is also an essential part of the house, it is the place where we reunite for breakfast or read a book and relax, many French country homes will have a large terrace either by the pool or with a view of the garden. Making it essential to have comfortable outdoor furniture, such as wooden lounge chairs and a long dining table.

The UK: Cottage Core and Rural Fantasy

Preceding the lockdown, a new lifestyle trend became increasingly present on all social media channels; cottage core. This is a lifestyle and aesthetic that has been attached to the English countryside, especially for encompassing the ideals of countryside living. British country living is a rising trend; it represents an authentic way of living far away from fast-paced cities and embraces naturalness which spells out coziness and rural life.

In the UK, there is no “summer house culture” rather, Brits go away on trips “to the country”. This means staying in sweet countryside cottages surrounded by nature, having long walks in your rubber boots, and going for picnics. With romanticism and nostalgia being at the core of English countryside life, British cottages have a cozy and inviting interior – such as pastel-colored furniture, natural indoor elements such as dried and fresh flowers (especially if they have been plucked from the garden), and wooden furniture such as wicker baskets. One of the main decorative elements of a British cottage is charming floral prints on the bed linen, rugs, and curtains. Floral prints enhance the old-fashioned, yet charming, side of the British cottage core aesthetic. Also, essential to this aesthetic is a dose of “historical inspiration” where tableware and teapots showing off “grandma vibes” fit fully within the British cottage core aesthetic. 

The US: Beach Houses and Mountainside Cabins

Due to people having to work remotely and wanting to escape the daily hustle of urban areas, the vacation markets in the US have seen a real “boom” with many seeking secondary homes by the lakefront or even the mountains – the US has a large diversity when it comes to landscapes and charming spots, anyone can find a home that fits within their lifestyle interests whether it to be skiing, hiking or simply to relax at the beach.

The mountains in North Carolina and the beaches in Florida are amongst the top locations for holiday homes in the US. Although being in the same country, a vacation in a cabin by the mountain or in a beach house are highly different holiday experiences, that entail very distinctive cultural aspects and aesthetics. Cabin culture is highly popular and entails holidays by the mountains, located in remote areas where winter activities can be practiced such as skiing. Cabins have cozy interior aesthetics, such as vintage wooden furniture and lots of plushy pillows and blankets. In contrast, beach houses are more light and airy, with light wood and colors. Beach houses also reflect a more Scandinavian aesthetic and minimalist furniture is prioritized to create space and let the ocean breeze ventilate into the home. 


Meet the summer & country living contacts

Denmark 🇩🇰 Det Lille Sorte

Sussie Frank is the woman behind Instagram account @detlillesorte, where she shares colorful content from her summerhouse.
Following on Instagram: 15K

Sarah Friis – Danish Lifestyle Researcher

France 🇫🇷 HOME Magazine

HOME Magazine, is a French interior magazine dedicated to slow living that covers natural and countrylike interiors.
Following on Instagram: 57K
 

Ema Laurenzana, French Lifestyle Researcher

THE UK 🇬🇧 Steph Gowla

Steph lives in a 500-year-old English cottage and her style is inspired by the countryside and surrounding nature. She is an advocate for a natural, rustic, authentic & simple home interior style.
Following on Instagram: 103K

Georgina Juel, UK Lifestyle Researcher

THE US 🇺🇸 Sara & Rich Combs

Sara and Rich run the Joshua Tree house, located California. Started by a need to “create a creative space”, they have designed and curated several vacation homes that provide a serene experience through the combination of beautiful design and appreciation of the natural desert landscape. 
Following on Instagram: 301K

Olivia Jensen, US Lifestyle Researcher

Facts & Figures

Industry Insights

There are globally 115,000 vacation rental companies.

21% of all vacation rental properties are in the US; 60% are in Europe.

74% of travelers prefer to be on the coast.

51% of travelers prefer mountainous vacations.

The most googled home decor trends in 2021

#cottagecore
#zen
#modernrustic
#transitionaldesign

 

 

Ema is the Lifestyle Researcher for the French market at VOCAST. She grew up in Brussels and previously worked with fashion PR. She is currently studying a master’s degree in international development and business and has a strong interest in sustainable and ethical practices within the fashion industry.

 

 

 

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Salvatori launches Digital Showroom powered by VOCAST

Salvatori launches Digital Showroom powered by VOCAST

Salvatori launches Digital Showroom powered by VOCAST

Salvatori is an award-winning Italian design company specializing in natural stone and creating innovative products for every part of the home. Since 1946, innovation is entrenched in the DNA of the company. Drawing on the very best of Made in Italy values and cutting-edge engineering and technological know-how, Salvatori fuses old-fashioned craftsmanship with contemporary design. Working closely with architects, designers, and builders to provide not only practical support but also inspiring new ways to work with stone which often challenge traditional thinking.

Today the third generation continues the story of innovation and at VOCAST we are proud to support the digital expansion of such a legacy. We sat down with Salvatori to know more about the reasons why they chose VOCAST for their B2B digital endeavors. 

What were your digital needs before finding VOCAST?

We were using a series of different platforms and it got to the point that we realized our partners, dealers, and other parties needed a tool where they could find everything in one place. We wanted to make it easy to share resources such as images, documents, and so on.

What is your favorite feature of the digital showroom?

We love the tags and filters because it means the latest, freshest content is immediately available and easy to find when a user searches a particular product. Another favorite is the way you can choose images and add them to your basket – this is a really useful sharing tool for our press office. 

 

Our sales network has really noticed the difference, as they now have more autonomy in the way they access and share materials. We can also quantify the most downloaded and appreciated content which in turn, helps us to develop more relevant images and documents.

 

Discover Salvatori’s Digital Showroom

 

 

Let’s get digital

Why not give a visual experience that tells a story about your brand, just as you would in your physical showroom? VOCAST supports hundreds of brands by setting up their tailor-made image banks. It’s a place for their hand-picked editors, influencers, buyers, and retailers to access their assets on the go. Learn more about the VOCAST image bank feature here: https://vocast.com/digital-showroom

 

Ines is the Research and Marketing Manager at VOCAST.  She previously worked in the beauty industry and is now an expert in social media and digital marketing. Every day she helps design-driven brands navigate digital trends and carry out their marketing and brand strategies effortlessly.

 

 

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Get free knowledge on how to optimize your B2B marketing & new product releases.

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How ATP Atelier shares great pieces of content with their B2B partners

How ATP Atelier shares great pieces of content with their B2B partners

How ATP Atelier shares great pieces of content with their B2B partners

Content marketing is one of the most effective methods of developing brand presence, growing an audience, and driving sales for many brands. Consistency in brand messaging is one of the many factors that determine growth and control over a company’s narrative. Strong brands know how to portray their brand consistently and at every customer touchpoint. 

But how do you parallel this with your equally important partners, press, and other B2B collaborators? We sat down with Emmy Björling, PR & Marketing Manager at Swedish accessories and shoe brand ATP Atelier, to talk about the benefits of producing consistent and high-quality content. Learn how ATP Atelier efficiently distributes unique stories with their B2B partners. 

Why is producing quality digital content important?

For us to be able to stand out in the overly saturated fashion industry it’s important to not only create unique and exciting products but also to match that with interesting content. In some cases, content even trumps product in importance. The content tells a story the product can’t. In this day and age, most people shop to realize themselves and to associate themselves with a brand’s values rather than filling an actual “need” through a product.

ATP Atelier is known for fun and original content, how do you create something that grabs the eye and captures your brand identity?

We really value all the content that we do, which means that we put a lot of effort into how it will look and how it will feel so that the content really shows the core of the brand. It’s a constant flow process coming mainly from a team of four people in marketing. One of us has been working here for a very long time and she’s head of all the content that we produce. That is really something that helps us do almost everything in-house.

As for the inspiration, we get it from everywhere, from our creative director, the products we make, the community around us, etc…We also have a physical universe which is our Atelier, it’s much more than a store, we have other brands that we represent as well. All sorts of furniture and art that we feel are a part of our identity. We collect things around us that will be sooner or later be the inspiration for everything we do.

You also create specific content for specific retailers/stores, what are the benefits you see in doing this?

When you have a lot of different retailers around the world it might be difficult to present our brand the way we think it should be. But one way of keeping it all together is through the content that we share and create together.
For us content is so important and in that way we also want to share that with our retailers and our partners, it’s a win-win situation. That helps with keeping the narrative of ATP Atelier and the branding consistent.

In the case that we want to put a bit more effort into a certain partnership, we could for instance do a collaboration on a product level where we would do a product design together and we will also create content for that product. Sometimes we do content collaborations where we will share the story of ATP Atelier while including their products as well.

For example, we did a very successful collaboration with Net-a-Porter last summer where we created a product together – a cozier version of our Doris everyday sandals, we also worked on a content collaboration with the influencer Linh Niller. That content was shared between all of us on social media and other channels. By joining our forces together with Linh and Net-a-Porter we achieved create a very successful content collaboration.

What were your digital needs before finding VOCAST? 

We didn’t have an in-house team which means that we basically didn’t control any of the PR. We would send pictures via email or did simple wetransfers to different PR agencies. Our PR team was started together with implementing VOCAST. It simplified the whole process and we now do everything ourselves.

You create landing pages for your different collections detailing and sharing all the assets and essence of the collection. How did this idea come up?

It came up when we couldn’t travel or have anyone visit our physical showroom during the lockdowns. The whole media bank is where all pictures are but the focus is more on downloading the assets. I wanted to create an interactive page that you can share with anyone anywhere and that contains the spirit of each collection while keeping control over the narrative. It’s been great to share that because we also use it for our sales purposes, our sales team couldn’t travel as well and they use it for prospecting mainly and presenting the new collections.

What is your favorite feature of the digital showroom?

Creating and sharing selections, we use it a lot to send to stylists, to press, and partners. It’s so easy to be able to showcase in one go for example what are the heels for this season just for them to see.

What are some of the benefits you are already seeing with using our platform?

It makes a huge difference for us, if we didn’t have it we wouldn’t have a natural place to direct all the important people that should have the information for the upcoming season. I work with it every day and I think it’s an amazing solution.

Marketing teams are always working hard to make a great customer journey and I would say that as PR managers we are also focusing on creating that same journey for the whole process that comes before the end customer. VOCAST is a tool that helps us create that brand journey from start to finish. It also simplifies the whole sending back-and-forth of big assets.

 

Discover ATP Atelier’s Digital Showroom

About ATP Atelier

ATP Atelier was founded by two close friends Maj-La and Jonas. ATP Atelier was born out of the desire to create shoes and leather goods that couple contemporary Scandinavian design and authentic Italian craftsmanship. The mission is to challenge the concept of luxury – to make it smart, not redundant. With a sustainable mindset ATP Atelier sets out to create, not just because, but to make a real difference in women’s lives. Read more about ATP Atelier or discover their digital showroom

 

Let’s get digital

Why not give a visual experience that tells a story about your brand, just as you would in your physical showroom? VOCAST supports hundreds of brands by setting up their tailor-made image banks. It’s a place for their hand-picked editors, influencers, buyers, and retailers to access their assets on the go. Learn more about the VOCAST image bank feature here: https://vocast.com/digital-showroom

 

Ines is the Research and Marketing Manager at VOCAST.  She previously worked in the beauty industry and is now an expert in social media and digital marketing. Every day she helps design-driven brands navigate digital trends and carry out their marketing and brand strategies effortlessly.

 

 

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Get free knowledge on how to optimize your B2B marketing & new product releases.

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Entrepreneurs as influencers: why should you partner with them?

Entrepreneurs as influencers: why should you partner with them?

Entrepreneurs as influencers: why should you partner with them?

Entrepreneurs with a large following on both their business and personal accounts are excellent brand ambassadors. Their business savvy outlook influences the market, as they create new products that consumers are looking for. Moreover, their followers are loyal to them because they trust them not only as professionals but because of their unique voice and personal style. 

To celebrate International Women’s Day, VOCAST sat down to talk to three incredible international female entrepreneurs. They have shared their expert insight with us about everything from collaboration work, marketing tips, and their visions for change. These women, like so many entrepreneurs, are actively breaking down barriers and creating space for something exciting and new.

Meet Emily, Edwina & Stina

Emily Padan is a strong believer in living as sustainably and slowly as possible. After 7 years as a teacher, she joined forces with her partner to create hinter, a hospitality company in Canada, creating design-focused spaces in the middle of nature. Amidst the pandemic, she started Bloom Class, a virtual education platform for kids. Both businesses plant trees for every booking. Emily also began a podcast called Finding Your Wave, where she and her guests navigate the ins and outs of life, such as change, relationships, self-love and self-discovery, and business.  
Born and raised in Sweden by Ghanaian parents, Edwina Kulego is the Vice President of International and Business Development at Informa Markets Fashion. Edwina has over 12 years of experience in the fashion and events industry. Edwina is also the founder and CEO of Essentials By Edwina: a vegan, makeup collection designed for women of color. She is a proud member of African Health Now, a non-profit organization that provides accessibility to primary health care in Africa. Fluent in Swedish, English, Ga, Twi, and proficient in Danish, Edwina was poised to be a trendsetter in International Business.

Stina Lönnkvist is the Co-Founder of MANTLE, together with Josefin Landgård, they went on a deep dive, exploring the world of CBD. They quickly recognized its powerful potential to upgrade skin health, restore personal balance, and enhance well-being for people leading full lives. From this union, they founded MANTLE – a Scandinavian beauty & wellness brand powered by cannabis. The concept of their range is to combine the best of both worlds. All products consist of a powerful blend of actives + botanicals to promote radical results with minimal effort. You can also visit their digital showroom, powered by VOCAST.

Entrepreneurial influence

Entrepreneurs are beneficial for established brands to work with because they represent the newness and passion within the industry. Edwina explains this passion, telling us: “I come from a family of entrepreneurs, so it’s in my blood I think. As a consumer, I was having such a hard time finding nude colors of lipstick for myself, and my friends shared the same agony. So I just decided, you know what, I’m going to do it!” 

Stina talks to us about what influence is to her, and how can mean different things:

« It can be influence through reach, capital, power, or brand. In business, I have influence on my team being co-founder, and I hope to influence the beauty industry with the power of MANTLE’s brand and what we stand for. »

Authentic ambassadors, with en edge

Emily has a large influence and she tells us how her goal on her personal account, and her business account, is to make a difference in the world: “That is what I’ve always wanted to do in general. I’ve always wanted to make an impact, even in the smallest way. Whether it’s self-care or slow living – whatever it is, I would really like to think that I can make a small mark on other lives.” 

She explains how entrepreneurs stand out from other influencers. For her, she can offer to create content for her personal brand at a hinter space:

« In a way, I’m leveraging the brand as well and I think it sets me apart from someone else. When I work with a brand, I can offer this really beautiful space to create the content in. »

She tells us how, because of her business,  her aesthetic is trusted by brands, as it’s one of the main pillars of hinter. She shares with us how she gets people reaching out to her because they’ve found her through hinter, as well as from people who have found her through her own Instagram and TikTok – “it does work both ways” she says. 

Collaboration: why is it so important?

Collaborating with entrepreneurs and their brands is beneficial because it allows you to tap into a new audience. As Edwina happily tells us:

« I think that collabs were really what gave me the confidence to start Essentials, and also to make use of my network. I’m all about collaboration, I think it’s a great way to grow and tap into a new demographic. »

Entrepreneurs are great partners for your brand because they operate with authenticity. When you are the face of both your personal brand and your business’ brand, you come from a place of professional growth and knowledge. Emily tells us about how her personal brand has shifted over time because she changed over time: 

“My personality has changed, my values have changed,” she says. She continues telling us how throughout the journey of hinter, she has become even more sustainable, even more, focused on design and aesthetics, even more into slow living.

Stina talks about how from a business perspective, she needs to represent the brand and she always thinks of what’s best for the MANTLE brand at large first and foremost. But, on her platform she only needs to represent herself:

« It’s all very intertwined, and in many ways, I represent MANTLE 24/7! »

How should you partner with entrepreneurs?

Brands can come together and serve different purposes, fashion and home interior working together for example is very beneficial because there is a large consumer base who love both. 

Stina tells us that when you do a cross-industry collaboration, the real magic happens. She says that it’s impossible to be good at everything so partnering up with people that have skills and talents you might be lacking is a way of learning and also securing the best results: “I’m very proud of our partnership with fragrance brand CRA-YON. They took MANTLE’s CBD and our vision for a fragrance, and turned it into reality with their 14 years of experience.”

Edwina believes that cross-collaboration, when you’re thinking about marketing, is great:

« If you’re looking to tap into a new demographic or a new consumer base, collaboration is the name of the game, especially in fashion. »

Emily explains how hinter partnerships, are part of the brand. The robes you would to wear to the sauna – she wants to tell the story of that brand. The candles – she works with local artisans and companies. Emily truly believes that her brand wouldn’t exist with the carpenter, the architect, the smells, or the textures:

« A brand is only as strong as its community, and the community exists within it. The community is not just hinter’s guests, it’s the people behind the brand that we work with. It’s fun to learn about humans and I think we need to do more of that. »

Entrepreneurial partnerships in a time of change

It is a common thread amongst entrepreneurs to care deeply about change. Change in the industry, to society, and for the planet. Stina shares with us how she firmly believes that women attain more influence in society by starting companies and having careers on equal terms with men: “That’s something I hope to see even more of in the future!”

Edwina advises businesses, big and small, to try and be as inclusive as possible. She believes that every company should be striving for that because it only makes them better, especially when you have women in leadership.

As Edwina puts it: 

« Women have an innate ability and desire to include, nurture, train, and teach. I think those qualities are great at home, but they are wonderful in business. »

 She openly tells us how after becoming a mother, she felt the world makes women feel like they have to pick and choose: “Women really are unicorns. We can do so much and we need to own a seat at the table everywhere, it’s so necessary. We love men, and they deserve to be there. But, the idea of the boys club making decisions for us all is changing.”

Emily discusses with us how she believes we can better the world overall through kindness to ourselves, helping others around us, and working together with like-minded businesses. She tells us that research shows that happiness doesn’t come from self-care, it comes from helping others. However, if you work too hard to help others all the time, you can burn out:

« There is a healthy balance and you can find that beautiful sweet spot where you’re taking care of yourself and then you are really able to help other people, work with these brands, make an impact, and help the planet. »

It’s a great time for open-minded entrepreneurs, striving to create a better world. Corporations are becoming more and more accepting of people doing things outside. There are a lot of corporations that understand how having a passion project on the side actually helps keep the employee motivated.

There is a lot of opportunity for women, especially in the lifestyle industry. They are creating products for themselves and their communities that make their lives better and are having so much success with it.

Top tips

Working with entrepreneurs is beneficial for your brand because they are influential, driven, passionate leaders who have set out to change the industry for the better. Stina advises brands wanting to tap into the influence of entrepreneurs to be authentic, honest, and consistent:

« Find your passion or topic and stick with it, then people will follow. Also, collaborate with other brands or people that share your values. »

Here are some more top tips on how best to partner with entrepreneurial brands!

1. Find a brand you love

Approach a brand from a place of genuine interest and share more about you, your product the story behind it, and the community you serve. – Edwina  

2. Tell genuine stories

People see through things easily and are less likely to support you if you’re not being genuine and meaningful. – Emily

3. Have a human conversation

Make sure the company you’re talking to knows that you know what you’re talking about, you’ve done your research on them, and are genuinely interested and engaged in their products. – Edwina

4. Create authentic partnerships 

When you start to work with a more progressive company, it can help to alter what your brand can show about themselves. Selecting the partnerships and creatives very carefully makes sure that your extended network is conveying the same message. – Emily 

5. Give back in some way

That’s the way to show other brands and consumers who you are as a brand and what you stand for. – Emily

Georgina is the UK Market Coordinator at VOCAST, responsible for British fashion and lifestyle research. Along with her work at VOCAST and studies at Copenhagen Business School, she is passionate about conscious fashion reform in the industry.

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