Gender-fluid fashion is not a trend, it’s a reality

Marketing, Research

As attitudes towards gender continue to evolve, so is the fashion industry’s approach to gender-fluid fashion, creating a more inclusive and diverse fashion landscape. In the coming years, we can expect to see more and more of this. Gender-fluid fashion is gaining greater traction amid consumers’ changing understanding of gender identity and expression. For many brands and retailers, the blurring of the lines between menswear and womenswear will require rethinking their product design, marketing, and in-store and digital shopping experiences. This article will provide you with an understanding of why gender-fluid fashion is no longer just a trend, but a reality. 

VOCAST has spoken to an expert within the field: Thorn de Vries, who shares their view on gender-fluid fashion, and sheds light on strategies brands can implement. So, if you’re looking to dive into this important matter, this article is for you.

Meet Thorn de Vries

Thorn de Vries is a Dutch actor, drag king, and activist. Thorn, who is non-binary, played the first non-binary character in a Dutch TV series and, together with partner Mandy Woelkens (Editor-in- Chief of Linda Meiden), wrote the book “FAQ Gender“. As a queer couple, they are asked a lot of questions about gender. With this book, they hope to answer the gender FAQ once and for all and to clear the gender-grey clouds. In addition, they have a podcast together called “Couplegoals” where they talk about a broad range of topics along with other couples.

Photo credit: Roeltje van de Sande Bakhuyzen

The shift toward gender-fluid fashion

The last decade has seen a shift in the fashion industry towards gender-fluid fashion. This shift is (partly) driven by evolving cultural and social attitudes toward gender. In recent years, many people have developed their understanding of gender identities, viewing gender as a spectrum, rather than a binary. Additionally, the growth of the Internet and social media platforms have allowed gender- nonconforming individuals to create communities and share their styles, which has further increased the visibility and normalization of gender-fluid fashion.

As Thorn tells us, “more and more people are realizing 1. there is more between man and woman, and 2. the oppression that comes with gender roles is something very relevant to everyone. For years, we’ve listened to the voices in our heads and those in society, telling us ‘what a man should wear’, or ‘how a woman should look’. The normative image created by the gender binary can feel very limited if you want to experiment outside these gender ‘boxes’.”

“A more open vision of fashion helped people think outside the box they thought they needed to fit in. Fashion is supposed to be fun. So more and more people are allowing themselves to have fun with fashion, and to not be restricted by gender norms.”

The importance of including gender-fluid fashion into brands’ collections

The shift that is happening is clearly not only visible on high-fashion runways, but also in everyday shopping, with online searches for “genderless” and “gender-neutral” fashion increasing year-on- year. The result is a growing demand for fluid clothing, from high-end couture to everyday basics and streetwear. According to research conducted by fintech company Klarna, around 50% of Gen-Z globally have purchased fashion outside their gender identity, and around 70% of consumers say they are interested in buying gender-fluid fashion in the future, with younger generations leading the way. Consumers in North America, Europe, Japan, and South Korea, among other locations, are expected to be the most receptive to gender-fluid strategies from fashion brands.

Moreover, it’s important for brands to be inclusive, and as Thorn says, being inclusive to all genders contributes to that. Thorn explains it in the following way: “Thinking about ‘who can wear it’, ‘who can afford it’, ‘who has access to it’, ‘who fits it’, ‘who do we visually represent in our messaging’, etc. are all important questions that I think every company should ask themselves.” 

“The fashion industry has the power to break down barriers, and create a new, more inclusive normal. So lead by example”.

Jonathan Anderson, creative director of Loewe and founder of label JW Anderson notably stated: “Gender-neutral is not a trend, it’s a reality. My whole philosophy is that you cannot tell people what to wear. You’re not allowed to say: I want this to be bought by a woman or by a man.” Thorn completely agrees with this: “My identity is not a trend. For centuries, in multiple cultures across the globe, there have been people that have had gender identities that are not exclusively man or woman. This is not a new thing. We’ve been around for a long time. But for some reason, we only seem to be talking about it right now”.

How to implement gender-fluid fashion into your brand-strategy

An easy first step would be to make your shopping experience, both physical and online, more inclusive. Having a well-designed floor layout will allow customers to gain a new perspective of “personal style.” A gender-fluid layout will present multiple options to the customer without labeling it as menswear or womenswear. Thorn tells us how they feel ‘betrayed’ if they want to order an item from a fluid collection from a certain brand, and at the checkout, have to check a box whether they’re a man or woman. They elaborate by explaining: “Brands could ask themselves: How do we address the subscribers of our newsletter? Is it necessary to have separate fitting rooms? Is there a gender-neutral toilet? Keep asking questions”.

On the design side, clothing brands could offer more gender-neutral items and lines. This means that men, women, and non-binary people can wear the same items without feeling restricted by gender norms. This can include things like oversized jackets, baggy trousers, and unisex t-shirts.

Additionally, fashion brands are likely to introduce more gender-fluid sizing systems, allowing for a wider range of clothing sizes and styles to fit a variety of body types. In terms of style, brands could lean more towards experimental looks – playing not only with the fits and tailoring of skirts, dresses, suits, and basics but also with textiles and embellishments of pieces.

Marketing-wise, brands should feature gender-fluid models and influencers in their campaigns, and work with editors and stylists who themselves are gender-non-conforming. Brands can benefit from using VOCAST’s curated list: “Androgynous Style”. This list contains male, female, non-binary & gender-fluid influencers, stylists, editors & publications who wear, style, and work with both women’s & men’s wear fluidly. With their large reach, these individuals can help brands reach a wider audience and create a more inclusive shopping experience.

Androgynous contacts across markets

Take a look at some of the top Androgynous contacts across markets, that can be found in VOCAST’s curated lists:


Richard is a talented fashion profile from Sweden. He works, amongst other things, as a stylist and has been named one of Sweden’s best dressed by the magazine Café.


Simon Nygard is a Finnish model and fashion influencer currently living in Paris, France.

He has an eclectic and edgy style, with a true love for all things fashon.


Lenny is a fashion influencer and model, based in Paris. Especially Known on TikTok, Lenny’s style can be described as a mix of women’s and men’s fashion – such as pearl necklaces, pink handbags styled with baggy trousers.


Nick is a Creative Director and Fashion Stylist. He is the co-Founder of SUGARKANE STUDIO. Along with Albi Scotti, he is the host of “Cabina Armadio”, an italian fashion podcast. 
He is the fashion stylist of all the rockstar in the Italian scene, between them Maneskin, Achille Lauro, Tananai and many others.


He is an influencer and stylist who worked for ELLE Serbia, ELLE Indonesia and has a partnership with Zalando. He is represented by the Visionary Services agency. His style is an androgynous street style. 

The Netherlands

Thorn Roos de Vries is a Dutch actor, dragking and activist. Thorn Roos De Vries, who is non-binary, played the first non-binary character in a Dutch series. Moreover, together with spouse Mandy Woelkens (Editor-in-Chief of Linda Meiden), they wrote the book “FAQ Gender”. 


Jake Marcelo is a Belgian streetstyle fashion influencer, living in NYC and London. Also, he has his own fashion brand called “System Malfunction”. The brand has an Androgynous style. He is represented by The Pause Agency.

The UK

Emma D’Arcy is an English actor. They are known for their roles in the BBC drama Wanderlust (2018) and HBO fantasy series House of the Dragon (2022). Their style has been known to subvert notions of glamour and GQ has penned them ‘ruler of the red carpet” in 2022. VOGUE has also commented on their‘razor-sharp’ eye for style.

The US

Parker Kit Hill is a social media star turned model, actor and fashion insider. Having walked for names like Calvin Klein and Valentino, he continues to dominate on TikTok and Instagram.  


Plaza Magazine is a magazine about fashion, design, and interiors for both men and women. Plaza Magazine covers underground phenomena and trends, approaching every subject with the same curiosity, along with interesting Swedish and international photographers, writers, and stylists. Plaza is known for their fantastic fashion reports, often with a male and female model and perspective. 


SSAW is a Helsinki-based bi-annual publication, that focuses on fashion and culture.
The magazine includes contributions from leading photographers around the world.


CRASH Magazine is a French high-end fashion magazine, with a focus on art in Fashion. The magazine also puts emphasis on “genderfluid” fashion, and regularly works with androgynous fashion models.


Outpump is the story of the link between lifestyle and pop culture since 2016, a home for news, stories and curiosities related to the world of trainers, fashion, music and sport, topics for which it has become a reference point in Italy. Outpump’s point of view is unique: the importance of the news and the curiosity of the story are always combined with the aesthetic power of the content and accompanying visual material.


KALTBLUT Magazine stands for a limitless symbiosis between art, photography, fashion, music and media. The theme of every issue works as a platform for artists to showcase their personal interpretation and point of view.

The Netherlands

Since september 2019 there is an extra fashion magazine in The Netherlands: the orignial French distributed Numeró. NUMÉRO NETHERLANDS is a growing progressive movement and publishes a unique biannual publication that brings the fashion world, art and design together in collaboration with leading international photographers, top models and the best-known stylists and young talent. 


ELLE Belgium and ELLE België are each a unique blend of Belgian and international news, fashion and people news, beauty and lifestyle: all in two versions, French and Dutch.

The UK

Another magazine is a blend of high fashion and world-class photography with features on the arts, politics and literature and continues to make each beautifully crafted edition a collector’s item. The magazine celebrates gender-fluidity and counter-culture throughout each publication. Published twice a year, AnOther Magazine quickly established a reputation for highly original content brought together in its pages by an emerging set of photographers, stylists and writers bound by a search for creativity and authenticity. Counting Rihanna, Solange Knowles and Tilda Swinton amongst its impressive run of cover stars, it is now the most recognised biannual fashion magazine in the world.

The US

Office magazine is a self proclaimed unorthodox approach to fashion and culture at large. The magazine celebrates art and fashion as a whole, highlighting first movers and trends overall. 

Michelle Achten is the Dutch Market Coordinator at VOCAST, responsible for the Dutch and Belgian Fashion and Lifestyle research. She received her bachelor’s degree in Fashion Business and master’s degree in Innovation.


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