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The Rise of the Wellness Industry

The Rise of the Wellness Industry

The Rise of the Wellness Industry

​The wellness industry has been on the rise over the past several years. The once niche phrases self care and self love are now seen as an integral practice by many consumers around the world. Now more than ever, we are all looking for ways we can best take ownership to prioritize our overall well-being and becoming much more aware of all the different ways we can, and should, take care of ourselves. Wellness is about taking care of our body as well as our mind. 360-degree wellness care is for many the new holy grail. Wellness is innately tied into the lifestyle industry, from what we decorate our home spaces with, what we wear to exercise or relax, and how we care for our skin and hair. 

VOCAST has spoken to two experts within the field: Chelsey Weimar, Model & Founder of Project Comfortable, and Nina van Haren, Social Media & PR Manager at CABAU, shedding light on what wellness is about and why brands can benefit from collaborating with profiles and publications that showcase wellness related content.

What is wellness?

Today’s consumers define wellness across six dimensions:

Health: Besides medicine and supplements, it now also includes telemedicine, remote health care services, and personal health trackers.

Fitness: Creative offerings that meet the needs of consumers, such as fitness apps and YouTube videos, have seen a lot of progress lately.

Nutrition: Consumers now want food not only to taste good but also to help them achieve their wellness goals.

Appearance: This involves both wellness-oriented apparel (athleisure) and beauty products (such as skincare and collagen supplements).

Sleep: Next to traditional sleep medications such as melatonin, app-enabled sleep trackers and other sleep-enhancing products (for example, gravity blankets) are often being used.

Mindfulness: Meditation-focused apps and offerings have gained consumer acceptance.

What makes the Wellness industry interesting?

According to the McKinsey Wellness survey, consumers care deeply about wellness and their interest is definitely growing. In a survey of approximately 7,500 consumers in 6 countries, 79% of the respondents stated that they believe that wellness is important, and 42% believe it to be a top priority. Moreover, McKinsey estimated the global wellness market at more than $1.5 trillion, with annual growth of 5% to 10%. Therefore, there are a lot of opportunities for companies. However, the market is crowded. VOCAST gathered some insights to help you navigate through it.

What are consumers asking for?

Natural & clean products

Consumers are keen on natural/clean products in an array of areas, This strategy could look different by segment: in apparel, products designed with organic/natural materials and sustainability in mind; in consumer health, natural/clean beauty products; in retail, merchandising with an eye to products that resonate as authentically natural.

Storytelling

Nowadays, people will not only buy your product because of the product itself. People are interested in the story behind the brand and the products, and a feeling of well-being.

Trust

The McKinsey Wellness survey showed that more than 60 percent of consumers report that they will “definitely” or “probably” consider a brand or product posted by a favorite influencer.

Industry insight 

Chelsey Weimar, Model & Founder of Project Comfortable

After many years in the modeling industry, Chelsey founded Project Comfortable: from interviews to tutorials, to editorials and reviews – there’s something for everyone. She wanted to create a space that allows her to bring her vision of beauty, lifestyle, wellness, and fashion together. Where her love for video and photography meets, and where she can share her network of inspiring creatives with the world.

 

Nina van Haren, PR Manager & Social Media Marketing Director

Nina van Haren has been part of the CABAU team since the day the brand was launched in February 2019. Working as Social Media Marketing & PR Manager for the brand, Nina is responsible for branded collabs, events, PR product launches, cross-channel social media marketing strategies, brand awareness campaigns, and PR activities.

Why is wellness so important?

Chelsey Weimar: Wellness matters because everything we do and every emotion we feel relates to our well-being. It definitely affects our emotions and actions. You can achieve wellness by staying in good condition mentally, physically, and spiritually.

Nina van Haren: Wellness is everywhere. It is our whole life. Today’s society is dominated by a 24/7 online world. Our stress levels are also constantly being tested as a result of social media platforms influencing our lives. A prolonged high-stress level has a serious impact on our body, muscles, and hormone system. And this is exactly why we should, more than ever, be concerned for our health through simple day-to-day steps and habits that will have a major impact on the way we feel, the way we look, and the way we behave.

How can we describe the rise of this industry?

Chelsey Weimar: I think more and more people realize now that wellness is not a luxury but a necessity. I feel like Covid also played a big role in this. Also, the marketing to live a healthier life is bigger than ever, and because there’s so much money involved in this industry I feel like everyone is trying to be part of it, in any way possible.

Nina van Haren: The wellness industry has always existed. However, our need for wellness services and products has increased over the past decades. As a result, the industry has risen. Now, more than ever, mental health has become a national concern where it wasn’t such an important matter a few decades ago. I believe this is due to a changing society in which mental and physical health has become a major player.

What are the top wellness trends in the lifestyle industry?

Nina van Haren: One major movement in the industry is the body positivity movement. More than ever, brands are embracing our natural human forms. Instead of portraying only tall, small women in wellness campaigns and advertisements, more and more brands are working towards a more realistic image. It is a beautiful movement as it makes us, consumers, realize that all bodies are different. What I personally hope is that this movement is convincing young girls and boys to embrace their bodies and looks and consider their body characteristics as unique and beautiful. Another trend is the attitude of businesses towards mental awareness. Yoga retreats, mindfulness workshops, and meditation classes have become increasingly popular. I believe that there is a great market for mental health businesses as society is only putting more pressure on us resulting in a rising need for mental health services.

Chelsey Weimar: To me, the mental health-based ones are the most important. Mental health wellness has been taken more seriously over the years which makes me very happy and I think is extremely important.

What makes wellness influencers ideal brand ambassadors? 

Chelsey Weimar: They are recognized subject matter experts who have knowledge and experience in their field. It makes them excellent brand ambassadors because they are honest and passionate about their expertise and I think more relatable than doctors or nutritionists for example. You follow their digital life on Instagram so you feel like you know them personally because you see so much more of their life than just the wellness-based advice they share.

Nina van Haren: As our health is so important, we need platforms to help spread this message including influencers. In whatever industry you’re in, you need marketing channels and ambassadors that help spread your brand message. You need ambassadors with the same values as your brand values. Ambassadors that fit your target group. Only when there is a good match between brand and ambassador, influencer marketing activities are beneficial as your ambassadors are your “faces” of the brand. They represent your brand and give the company and its mission a visual image with emotion and personal bonding. A personality is someone the consumer can identify with, feel empathy for and connect with. That is the strength of Influencer Marketing.

Wellness influencers across markets

​Take a look at some of the top wellness influencer across markets, that can be found in VOCAST’s curated lists:

Denmark

Caroline Hannibal is a self-proclaimed Gua Sha, Face Yoga & Beauty nerd. She is well known from TikTok, where she shares skincare videos as well as tips and tricks on how to get beautiful, healthy and glowing skin.

Sweden

Josefine Dahlberg is an influencer and entrepreneur with a passion for body and soul care. Her content is full of positive energy and wellness inspiration. Josefine believes that everything is possible and lives by the words “dream big & work hard”.

Norway

Mikela is a beauty influencer that shares tips regarding what qualities and ingredients to look for in skin care products. She shares informative content on TikTok and Instagram to help her followers enhance their skin’s well-being.

France

Stéphanie Allerme also known as Mademoiselle Pierre is a French wellness influencer. Her idyllic feed showcases her holistic lifestyle in the South of France, where her content varies from reviewing sustainable beauty products and interior furniture to sharing her personal tips on how to be the best version of yourself.

Italy

Soleil Stasi is an actress, Model, influencer and  Content Creator. She is passionate about yoga, art, nature, fitness, food and travel and wants to inspire her community with daily content on mind and body’s well-being.

Germany

Hanna is a Beauty Editor, Influencer, and entrepreneur who is all about natural beauty, self-love, and self-care. Hanna also has a podcast called “Gepflegte Gespräche” where she talks about these topics. The title of the podcast refers to wellness and wellbeing.

The Netherlands

Chelsey Weimar is a Dutch model and influencer. She has recently launched her very own ‘Project Comfortable’ -a platform where she and her contemporaries share personal inspiring stories on health, wellness, beauty, and style.

Belgium

Gudrun Hespel is a psychologist and personal trainer motivating people toward fitter mental and physical health. She is the author of The Fittest You and the founder of a studio with the same name in the middle of nature. Moreover, she is the owner of Recharge, which is a Fitness, boutique & bar in Antwerp. She focuses on a healthy, sustainable lifestyle.

The US

Based in Los Angeles, Mandy Madden Kelley is a health, skincare and beauty influencer. She focuses on all things healthy living, providing ideas and insights about feeling beautiful inside and out.

The UK

Nià is an entrepreneur, business founder, model, and influencer based in the UK. She is a go-to hair specialist for people with natural and curly hair and shares beauty and lifestyle content with her followers through a holistic mindset of care, love, and light.

References: Project Comfortable, Cabau Lifestyle, McKinsey: Feeling good: The future of the $1.5 trillion wellness market


Georgina is the UK Market Coordinator at VOCAST, responsible for British fashion and lifestyle research. Along with her work at VOCAST and studies at Copenhagen Business School, she is passionate about conscious fashion reform in the industry.

 

Michelle Achten is the Dutch Market Coordinator at VOCAST, responsible for the Dutch and Belgian Fashion and Lifestyle research. She received her bachelor’s degree in Fashion Business and master’s degree in Innovation.

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Celebrating Pride: authentic marketing & community led branding

Celebrating Pride: authentic marketing & community led branding

Celebrating Pride: authentic marketing & community led branding

LGBTQIA+ influencers and activists are highly influential contacts who have nurtured loyal, trusting, and dedicated audiences. As these activists pioneer to change society, so does the incentive for brands to get involved in the movement. Varying across markets, over the months of June, July, and August, a multitude of campaigns and products are launched by lifestyle brands to celebrate Pride Month. However, consumers are becoming more and more aware of the intentions and actions behind brands; as companies incorporate Pride branding into their campaigns, so does the backlash for those who do so inauthentically, and with no intention of actually supporting the LGBTQIA+ community. 

VOCAST has interviewed three incredible industry insiders working in the activist and lifestyle space. They have highlighted the impact and benefits of brands working within the community, and also shared advice and suggestions on how brands should work authentically and effectively with LGBTQIA+ influencers not only during Pride Month but all year round. 

Meet Mikko, Benjamin & Charlie

Mikko (he/him), Gender Fluidity expert @ Vogue Scandinavia

Hailing from the small Finnish town of Muurame, Mikko Puttonen started his career capturing the natural beauty of the lakes and forests around him as well as documenting his personal style. Mikko, who champions fluidity in fashion, “I am extremely excited and proud to be joining Vogue Scandinavia and to be part of their team. To me, fashion and dressing up have always been a way to express myself and have fun.” Mikko’s ethos is to erase the lines of gendered fashion.

Photographer: Lucas Ruska Martin

Benjamin (he/him), Organizational Chair @ Copenhagen Pride

Benjamin has been a part of Copenhagen Pride since 2019, and became organizational chair in 2021. He was the Managing Director of the 45 people secretariat in Happy Copenhagen, who delivered Copenhagen 2021 – WorldPride and EuroGames in August 2021. Besides his volunteer engagement as co-chair of Copenhagen Pride, he now works as CFO of The Danish Refugee Council Youth.

Charlie (she/her), Activist & Author

Charlie Craggs is an award-winning trans activist, author and media personality dubbed ‘the voice of a community’ by Vogue, best known for her national campaign Nail Transphobia, her LAMBDA nominated book To My Trans Sisters and her BBC documentary Transitioning Teens. Charlie has topped the Guardian’s New Radicals list of social innovators in Britain, been the recipient of a Marie Claire Future Shaper Award and fronted global campaigns for brands like The Body Shop, H&M and Selfridges.

Branding & Marketing Strategy During Pride Month

Brands that embrace their uniqueness and understand their powerful position are indispensable for helping communities. Utilizing a brand’s access to markets and large, diverse populations opens the door to creating campaigns that spark interest and encourage conversations through inclusive marketing campaigns. As Benjamin tells us, “using corporate influence to make broader changes is where companies can be truly helpful.”

The LGBTQIA+ community is not only vast, it is loyal. Activists and influencers in the community have the ability to reach audiences who truly trust their opinions because they understand their consumer demands on a highly personal level. Working with activists during Pride Month, as Charlie says, is not only just smart business, it’s the right thing to do. She explains how Pride branding is a recent phenomenon: 

« To have global brands coming out now and saying “we’re on your side” and to see them be pro LGBTQIA+ is huge especially when you remember a time when it wasn’t like that. »

Brands can be intimidated during Pride Month, some have been openly critiqued by the community for their branding strategy. When a campaign flops, Charlie says that it is easy to tell that no one from the community has been behind the marketing story. She advises brands to think about the diversity in front of the camera and behind it, understand the diversity within the letters: LGBTQIA, and take a permanent stance on issues. Mikko further explains that branding should always be authentic and that all support is welcome because, with more visibility, we are able to move towards a more inclusive world. He says that Pride is a time when people who are not part of the community can learn something, and by brands participating in the conversation, wider audiences are reached and opinions can be changed. By booking LGBTQIA+ talents, brands bring more opportunities directly to the community. Nevertheless, he says:

« Utilising pride month in brand strategies should never only be about thriving more sales or uplifting the brand image. »

What is the LGBTQIA+ community asking for during Pride Month?

Mikko explains that it is unethical to work with LGTBQIA+ talents only during Pride Month and forget about them for the other 11 months of the year:

« If you really want to support the community, do it all year round and book people for their talent and not just for their sexual orientation or identity. »

Charlie tells us the same thing: “We need you all year, not just for a month”, she says. She feels that pride campaigns, in general, are positive and show that a brand is on the right side of history, but it is much more empowering for the community to see themselves advertised not just for pride, but in any campaign, any time of year. She also explains the importance for brands to not bring in people from the community as an act of tokenism:

« It will be nice when I can do a campaign and it’s not even note-worthy that a trans person was included, thats what will feel equal and that’s the goal. »

A key thought to incorporate during any marketing campaign is that Pride Month and support of the LGBTQIA+ community is multifaceted as its members; there is no one cause to support, but rather a myriad of issues that affect each subgroup differently. Simply focusing on the overarching “rainbow” will often cause individual issues to be overlooked. Understanding the specific areas within the community can often prove more authentic and concrete when intending to lend support for change.

Authentic support is also deeper than marketing and branding. Benjamin explains that Pride branded products themselves are not a problem, “as long as corporations give authentic support to the LGBTQIA+ community and change internal policies”. He says that companies must, at the very least, have corporate policies to ensure that management supports a safe and supportive environment for employees. A brand’s own LGBTQIA+ employees must be supported and involved in a healthy work culture in order to not only be authentic when reaching out to outside communities but to be successful. Mikko also explains that support should be seen in all layers of the company, not just in the end result of a marketing or social media campaign:

« Look at the production teams, PRs, and creative teams. If everyone looks the same, something is wrong. »

What are consumers asking for during Pride Month?

In a time of brand transparency and interest, consumers are much more involved in the companies they choose to buy from. Studies show that over 50% of Millennials, the current largest consumer group, say that they are not only more likely to support a brand after seeing an “equality-themed ad”, but are also more likely to choose them over their competitors. Moreover, that financial incentives continue to grow: the LGBTQ+ community has a combined buying power of $3.7 trillion globally.

Benjamin explains that consumers are demanding more actions from corporations on the theme of equality, as well as other CSR-related themes such as climate and environment. He says that consumers are getting more critical and corporations need to go deeper than just rainbow packaging:

« Consumers have a critical eye on the companies that they buy from, which pressures companies who are rainbow washing. So, companies’ branding has been taken advantage of pride month, but we see a drastic change, where performing rainbow washing will backlash on companies. »

Do Not: rainbow wash

Rainbow washing is usually defined as a practice in which corporations that make no concrete effort to support LGBTQIA+ communities (and sometimes actively oppose them) utilize popularized rainbow pride branding to claim allyship.

Do: be an authentic ally

A support system in which someone from outside a marginalized group makes an obvious, genuine attempt to transfer the benefits of privilege to those who lack it, in order to advocate on the marginalized groups’ behalf, and support them to achieve change.

Do Not: be a performative ally

A gesture made from outside of the group that is symbolic in nature, intended to gain social capital and avoid outward scrutiny, but that has no impact on the marginalized community.

What are the impacts of Rainbow Washing?

Benjamin explains that rainbow washers will profit from symbolic support for the communities without contributing to the LGBTQIA + fight through funding, networking, changing policies, or activism. Rainbow washing has far-reaching impacts. It’s damaging, he tells us, because it misleads well-intentioned people into thinking they’re supporting the LGBTQIA+ community when in reality they’re filling the pockets of greedy corporations. He says that the misuse of the Pride flag has had a watering down effect on Pride as an event:

« In some people’s minds, Pride has become more about brand deals, sponsorships and celebrity appearances, rather than supporting queer voices and raising awareness for LGBTQIA+ issues. »

Moreover, any budget used by corporations to fulfill this often performative branding uses funds that would make a substantial difference otherwise. These funds could be applied to either supporting LGBTQIA+ nonprofits, or simply turned towards improving a company’s own culture and ensuring that their own LGBTQIA+ employees are supported. In other words, it can in fact remove opportunities for authentic allyship. This is not to say that small steps are not significant, research by GLAAD and Proctor & Gamble shows that inclusive media images and advertising lead to greater acceptance and understanding of the LGBTQIA+ community which is still a positive change. 

Support vs. Commodification

Mikko tells us that when finding the line between support and commodification, it’s about understanding people as individuals and more than a sexuality or identity. He explains the importance of listening more, and learning more:

« Invest in diversity and inclusion workshops for companies. In my opinion, close-mindedness comes often from a lack of information. »

Benjamin says that when a brand swaps its social media avatar to a rainbow version in June or otherwise shows some support, it has to reflect whether its ads feature the community year-round, whether it hires LGBTQIA+ employees, puts them in leadership positions, and whether the brand actually supports the community with resources and internal policies.

Charlie explains that brands should not create a collection for Pride Month if the profits are not contributing to the community. When defining the difference between support and commodification, she asks brands to remember what Pride Month means:

« It’s not just a celebration and a party. Pride started as a protest, a riot against the police. If you’re going to be monotizing off of that, you need to pay into the community. »

Mikko also encourages brands to find diverse people in the LGTBQIA+ community and listen to them, “you can have a brief but this is the time to give creative freedom” he says. He also advises that brands make sure they have LGBTQIA+ people in their own team or even consult someone, when planning campaigns:

« Being authentic, in my opinion, is the best pride strategy to celebrate the freedom to be who you are with no limits. Selling products shouldn’t be the main goal or focus. »

Marketing Advice

Key focus points

  1. Make it thoughtful, understanding, educational and authentic.
  2. Involve LGBTQIA+ people in the creation.
  3. Involve LGBTQIA+ people in the promotion.
  4. Ensure LGBTQIA+ inclusion after June.
  5. Make sure the brand is not speaking but amplifying.
  6. Make sure the brand has an LGBTQIA+ inclusive internal culture.
  7. Make your support global and not just in queer-friendly countries.
  8. Make sure profits from rainbow products go directly to the LGBTQIA+ community.

Benjamin, Organisational Chair of Copenhagen Pride

Representation in the decision room

When creating an LGBTQIA+ centered campaign, “representation in the decision room” can be crucial; getting influencers/activists involved from the beginning of campaign conception can help ensure an authentic and successful effort in which community members can feel as though their points of view were considered and that campaign is sincere. 

Focus on language

A clear focus on language choice in marketing and copy materials is also key. They are a crucial aspect of any marketing campaign but are even more so when it relates to a community that is often mislabeled and excluded using language.

Outward action reflects internal policy

When deciding to include and emphasize LGBTQIA+ communities in marketing, brands must do their best to ensure that their internal culture is similarly emphasized. 

Make use of activist and influencer expertise

When working with activists, you allow their identity and knowledge to shine through to the extent that you can be confident that you are creating an authentic partnership that allows for an authentic message.

Work with nonprofits that amplify LGBTQ+ voices

Show true allyship be mindful of other partnerships and who you choose to work with throughout the year. Working with an LGBTQIA+ non-profit during Pride Month and another partner who has demonstrated prejudice can undo all the work being done.

 

The LGBTQIA+ Influencers

Our research team has gathered some of the most exciting LGBTQIA+ community contacts from each market. Take a look below:

Denmark

Julia Sofia is originally known on YouTube, where she has been creating content since 2013, and she is now running her own makeup brand. In 2018 she uploaded a video on YouTube talking about her sexuality and being queer, which led to many interviews about her point of view on the LGBTQIA+ community. She is an advocate of just being yourself and not necessarily having to put a title on your sexuality. 

Sweden

Tone Sekelius is an influencer and singer from Stockholm, Sweden. In 2021 she came out as transgender and was the first openly transgender performing in Swedens biggest song contest, Melodifestivalen. This year, she received the award “LGBTQ of the year” in the QX gala.

Norway

Camilla Lorentzen and Julie Visnes are a Norwegian influencer couple. They share uplifting content revolving around their marriage and journey towards having children and have gained a large worldwide following on TikTok and Instagram.

France

Ilya is a French fashion and beauty influencer, who wants to encourage many to dress as they want regardless of gender norms. Ilya considers himself and his style to be “genderless” and is a true advocate and trendsetter when it comes to gender-fluid fashion.

Italy

After the huge success on musical.ly due to being a reference point for boys and girls of his age, Matteo continues his journey on TikTok by sharing funny and ironic videos, entertaining more than a million people every day. In addition to entertaining, Matteo spreads information on his channels, interacting and discussing with his community. He is one of the main influencers of the Italian LGBTQIA + community.

The Netherlands

Nikkie Tutorials is a Dutch makeup star who’s done the makeup for celebrities like Adele and Kim Kardashian. In January 2020 she made global news when she revealed she’d been transgender since she was six. She is a goodwill ambassador for the United Nations in The Netherlands, and focuses on themes like racism, gender equality, and women’s rights.

The US

Christopher Griffin is an influencer, plant enthusiast, collector and community builder based in Brooklyn, New York. They aim to continue to build an inclusive green community for everyone and create greater visibility as a Black queer femme who exists in green spaces.

The UK

Jamie Windust is an award-winning non-binary writer, public speaker and model from London. They have written for The Independent, Gay Times, British GQ, Cosmopolitan and INTO More, and were named as one of London’s most influential people.

Georgina is the UK Market Coordinator at VOCAST, responsible for British fashion and lifestyle research. Along with her work at VOCAST and studies at Copenhagen Business School, she is passionate about conscious fashion reform in the industry.

Olivia is the US Lifestyle Researcher at VOCAST. She received her degree in PR and Communications from Rutgers University, and has worked in Lifestyle and Fashion PR. 

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Cabin Culture & The Alpine Lifestyle

Cabin Culture & The Alpine Lifestyle

Cabin Culture & The Alpine Lifestyle

Designing optimal personal spaces is not only reserved for our everyday homes; in some markets, recreational homes and cabins also have significant time and attention devoted to them. This is the case in the mountainous nations of Norway, Austria, and Switzerland, where the population values creating comfortable homes away from home in touch with nature.

The strong establishment of cabin interiors and the popularity of mountainous cabin destinations indicate that the market is developing, with niche magazines and influencers sharing content revolving around these spaces functioning as a source of inspiration for cabin owners. We have spoken to two experts within the field: Tonja Folkvard, Editor-in-Chief of Hytteliv, and Ellen Schwick, cabin interior influencer, shedding light on the strong market position of “cabin interior” and why brands can benefit from collaborating with profiles and publications that showcase these recreational homes.

Looking up north: Norway’s cabin dedication

For many Norwegians, going to one’s cabin is a highly valued way to unwind and connect with nature. Seizing the outdoors – whether it be skiing in the winter, or hiking in the summer – holds long traditions, and is inherently part of the culture. In fact, the element of history has a strong impact on Norwegian cabin culture. Cabins can remain in families for years and years: properties are passed down between generations and function as a shared recreational space for the extended family.

As a result, Norwegians have a strong relationship with their cabins, often stronger than that of their everyday homes. Many are hesitant towards renting their cabins out, and rather want to spend as much time as possible there themselves, including weekends and holidays like Easter, the latter being high seasons for cabin goers.

The most prominent cabin destinations in Norway are characterized by their closeness to outdoor sports facilities: among the most sought-after areas, you can find Trysil, Hemsedal, and Geilo. The common denominator between these destinations is their appeal and catering to a wide array of ages and interests, thus functioning as year-round nature and sports recreational zones for the whole family. 

With this in mind, it comes as no surprise that Norwegians are investing both time and effort into their cabins. Traditionally, Norwegian cabins are rustic and laid-back in style: comfort and functionality are key elements. However, in more recent years, the willingness to invest in these leisure spaces has increased: this applies to both the cabin’s interior as well as outdoor spaces like terraces.

  • Norway boasts 500,000 cabins, a vast amount compared to its modest population
  • 2,5 million Norwegians have access to a cabin property, equaling almost half of the entire country’s population
  • High ownership rate: 97,5% of all registered cabins are owned by Norwegians, indicating prominence and accessibility

 

The flourishing Alpine area and its impressive appeal

Surrounded by alpine peaks and wildflowers, once abandoned farming huts have been converted into chic and contemporary holiday cabins. The alpine region, including Switzerland and Austria, is, with 60-80 million tourists per year, one of the most visited regions on the European continent.

In fact, the tourism industry in the alps generates close to 50 billion in annual turnover and provides 10-12 % of all the jobs in this area. To draw the scope of the overall size of this business, the alpine region has, with its more than 600 ski resorts and 10,000 ski installations, an extremely dynamic infrastructure. 

Austrians as well as The Swiss, are very proud of their cabin culture. Their strong connection to the outdoors and skiing lifestyle is apparent and has resulted in an increase in people coming there for the whole experience. Their heritage is deeply integrated into their day-to-day lives as these two nations are situated directly within the alps and they have created their societal understanding around themselves interacting with their surroundings. This means the demand for typical alpine interior, both cozy cabin and chalet styles, remains high.

The most sought-after areas here are the regions of “Verbier”, “St. Moritz”, “Gstaad”, “Davos” and “Grindelwald”. Hence, one can say that the business thrives; this development generates great engagement amongst entrepreneurs and influencers that take pride in their surroundings by making it their topic of conversation.

  • Low homeownership rates are caused by tight property legislation: 50% of the population owns private properties 
  • Due to skyrocketing property prices in the Alps, cabins and chalets are mostly owned by luxury real-estate companies and hotels
Interview with Tonja Folkvard – Editor-in-Chief of Hytteliv 

Tonja Folkvard is the Editor-in-Chief of Hytteliv, Norway’s leading magazine about cabin interiors. With her extensive experience and expertise within the field, she has highlighted what trends and needs currently characterize the market of the Norwegian cabin interior, as well as how this is reflected in the magazine. (Picture credit: Caroline Roka)

What kind of content do you find that your reader base responds best to when it comes to the topic of alpine/cabin interior style?

Hytteliv’s readers are a diverse group, and there are variations between the different reader segments of this group when it comes to their preferences within cabin interior styles.

In general, articles that show inspirational photos in combination with interior decorating tips, cabin features, and shopping articles are well-liked amongst our readers.

Style-wise, a combination of the typical Norwegian cabin style, with wood panels as well as antique and retro objects, in combination with more modern furniture, like comfortable seating furniture, is popular. Color schemes are often inspired by the nature surrounding the cabin. For example, earth tones, greens in the mountains and greys, sand tones, blue and green by the sea.

Natural materials such as stone, wood, wool, and linen, and designs incorporating animals, flowers, and landscape, are popular. Many choose the view of the landscape outside the living room window as a focal point when furnishing. There is also an increased interest in both constructing and decorating cabins in a more environmentally friendly manner. Therefore, second-hand furniture and redesigned objects are often incorporated into the cabin interior.

To what extent does your publication conduct paid sponsorships with interior brands, and how well does it work within alpine/cabin-related content?

At Hytteliv, we publish commercial content in cooperation with commercial partners. This content is always clearly marked as an advertisement or sponsored content. We strive to ensure that all content published by us, commercial or not, should be of value to our readers. And as a measure to ensure this value, we use our unique reader data.

Following every issue of Hytteliv, content is tested in our reader panel, telling us that when commercial content is well made, it is highly valued by our readers.

Commercial content is normally produced by our content agency, Core Content, which has a broad understanding of the Hytteliv brand and its target group. We publish commercial content on a regular basis in our magazine, on social media, in our newsletter, and through Hytteliv.no and Klikk.no.

Interview with Ellen Schwick – Influencer and Cabin owner in Salzburg, Austria.

The “Hütte am Wald” cabin run by Ellen Schwick lies in the beautiful area of Salzburg, Austria. The owner, Ellen, has given us an exclusive insight into how she works as a content creator and nano-influencer. She also tells us about what interior pieces are especially worth mentioning and what she thinks sets alpine influencers apart from other interior content creators. 

What is the main difference between cabin interior / alpine influencers and other interior influencers? What makes them special?

In our opinion, alpine influencers are more focused on nature. The “coziness” inside the house is furthermore being emphasized because of the landscape it is embedded in. Our content is more outdoor-oriented with stronger adaptation to the changing seasons.

The activities of the guests are different very much throughout the seasons, therefore our communication needs to reflect that change. Values such as connection to nature, appreciation for natural materials, sustainability, and environmental awareness increasingly play a bigger role in how we create content.

What kind of product categories within interior content do you gravitate towards showcasing the most? What works best and receives the most engagement?

The choice of products to showcase is almost endless for us. We are representing products from all interior segments whether it be furniture for the dining, garden, living, and bathroom area or wellness, yoga, and kitchen -accessories but also sleeping equipment and toys for children are things we promote.

For us, the positioning of each product is important. A clear message and a unique selling proposition for our audience are details we think should be understandable right from the beginning of any campaign we engage in with brands. We know our target group well and therefore know what content ultimately drives conversion for us. Lastly, we always make sure to only work with brands that engage in our values and design aesthetic.

At the moment, the posts that drive the most engagement to highlight our cozy and cabin-like interior style. Pieces for the dining area and living room are definitely converting better than utensils for the bathroom and wellness area. Storytelling is also very much an integral part of our strategy and emphasizes the products we decide to promote (…)

A blanket is not nearly as interesting on its own but rather works as a promotion piece within a context.

 

Sara is the Norwegian Market Coordinator at VOCAST, responsible for Norwegian fashion and lifestyle research. When not at VOCAST, she studies Brand and Communications at Copenhagen Business School. Besides work and studies, she is a travel, music, and movie enthusiast.

 

 

 

Kevin is the DACH Market Coordinator at VOCAST. He grew up in Berlin, studying fashion journalism and communication, and has previously worked within fashion PR. Currently, he is studying toward a bachelor’s degree in Marketing and has a strong interest in sustainability, writing, and modern design practices.

 

 

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Packing your bags and escaping from that busy city lifestyle to a summer or country house is one of the most exciting summertime pleasures. Waking up to a bright sky and bird sounds, in a house amongst a field of wildflowers is a uniquely happy feeling. But it is more than just an aesthetic, summer & country houses have a culture of their own. In 2020, hashtags such as #cottagecore and #countryliving saw a 153% jump, and are now counting more than 600 million views on TikTok and 8 million posts on Instagram. Living in “fast-paced societies” makes us long for simplicity, and summer & country living have been an attractive way to revert back to slow living. Though they have a common purpose, summer & country homes have distinctive aesthetics and cultural aspects that differ across countries.

Picture this: a rustic country house surrounded by olive trees in the French Provence, a British cottage with its garden table covered in blossom, a sunny colored Danish summer house beside a vast white sand beach. But how can brands best use these cultural and aesthetic differences whilst still playing on the rising “escapism” and “country living” trend? VOCAST gathered insights from four different markets, to help you navigate through the summer & country homes trend.

Denmark: Summer House Hygge

With more than 200,000 summer houses across the country, summer houses are an integral part of the Danish lifestyle and come in many shapes and sizes. From cottages in gardens to modern houses in the dunes – whichever the type, Danish hygge is guaranteed. It is common for Danes to have a “second home” they can escape to during sunny weekends. In fact, from July 2021 to August 2021 there were more than 4 million overnight stays in Danish summer houses. Danes have summer houses all over the country, and often near the coast by the Danish Riviera, Bornholm, the West Coast, and Northern Jutland.

The traditional summer house style is described as romantic with “hygge” being at the center of the home – meaning that going to a summerhouse is about getting comfortable and being together around a fireplace during chilly evenings. Classic summer houses are usually one-story buildings made out of wood, with white windows – surrounded by a garden or dunes, as well as bikes. Since summer houses in Denmark are often considered “second homes”, the furniture, as well as the dishes and glassware, are often vintage and the furniture often gets passed on from generation to generation, rendering the interior very mixed when it comes to styles, with both vintage and new furniture. The interior is often simple with romantic pastel tones and light floral prints, as there needs to be much daylight and naturalness – and most importantly because Danish summer houses are about being casual and not wanting to “show off”.

France: Sophisticated Rural Living

From seaside houses by the cliffs in Normandy to rural country houses amongst lavender fields in Provence – France has a lot to offer when it comes to summer getaways. The charming countryside of Provence and the Côte d’Azur are amongst the most popular holiday regions in France, with a rise of 50% more summerhouse bookings in these regions in 2021. Summers in the South of France represents a true lifestyle – an afternoon of pétanque with friends, enjoying gourmet delicacies surrounded by the sounds of cicadas, and the most essential part; summer houses, which play an important role in the sophisticated “southern lifestyle”. One can quickly notice how French country houses represent a whole culture and a rising trend in itself – with blogs, magazines, and social media accounts being fully dedicated to French country living.

French country living is about slowing down, spending time with loved ones over long lunches and dinners, and letting nature “do its job”. Most French country houses are rural and made out of old stones, it is, therefore, essential to have a sober interior with furniture made out of marble and ceramic. Since French country houses are a family affair, much energy is put into finding the right interior furniture that does not disrupt the authenticity of the house and that has great value, families like to invest in valuable design pieces that will increase the authenticity of the house. The terrace is also an essential part of the house, it is the place where we reunite for breakfast or read a book and relax, many French country homes will have a large terrace either by the pool or with a view of the garden. Making it essential to have comfortable outdoor furniture, such as wooden lounge chairs and a long dining table.

The UK: Cottage Core and Rural Fantasy

Preceding the lockdown, a new lifestyle trend became increasingly present on all social media channels; cottage core. This is a lifestyle and aesthetic that has been attached to the English countryside, especially for encompassing the ideals of countryside living. British country living is a rising trend; it represents an authentic way of living far away from fast-paced cities and embraces naturalness which spells out coziness and rural life.

In the UK, there is no “summer house culture” rather, Brits go away on trips “to the country”. This means staying in sweet countryside cottages surrounded by nature, having long walks in your rubber boots, and going for picnics. With romanticism and nostalgia being at the core of English countryside life, British cottages have a cozy and inviting interior – such as pastel-colored furniture, natural indoor elements such as dried and fresh flowers (especially if they have been plucked from the garden), and wooden furniture such as wicker baskets. One of the main decorative elements of a British cottage is charming floral prints on the bed linen, rugs, and curtains. Floral prints enhance the old-fashioned, yet charming, side of the British cottage core aesthetic. Also, essential to this aesthetic is a dose of “historical inspiration” where tableware and teapots showing off “grandma vibes” fit fully within the British cottage core aesthetic. 

The US: Beach Houses and Mountainside Cabins

Due to people having to work remotely and wanting to escape the daily hustle of urban areas, the vacation markets in the US have seen a real “boom” with many seeking secondary homes by the lakefront or even the mountains – the US has a large diversity when it comes to landscapes and charming spots, anyone can find a home that fits within their lifestyle interests whether it to be skiing, hiking or simply to relax at the beach.

The mountains in North Carolina and the beaches in Florida are amongst the top locations for holiday homes in the US. Although being in the same country, a vacation in a cabin by the mountain or in a beach house are highly different holiday experiences, that entail very distinctive cultural aspects and aesthetics. Cabin culture is highly popular and entails holidays by the mountains, located in remote areas where winter activities can be practiced such as skiing. Cabins have cozy interior aesthetics, such as vintage wooden furniture and lots of plushy pillows and blankets. In contrast, beach houses are more light and airy, with light wood and colors. Beach houses also reflect a more Scandinavian aesthetic and minimalist furniture is prioritized to create space and let the ocean breeze ventilate into the home. 


Meet the summer & country living contacts

Denmark 🇩🇰 Det Lille Sorte

Sussie Frank is the woman behind Instagram account @detlillesorte, where she shares colorful content from her summerhouse.
Following on Instagram: 15K

Sarah Friis – Danish Lifestyle Researcher

France 🇫🇷 HOME Magazine

HOME Magazine, is a French interior magazine dedicated to slow living that covers natural and countrylike interiors.
Following on Instagram: 57K
 

Ema Laurenzana, French Lifestyle Researcher

THE UK 🇬🇧 Steph Gowla

Steph lives in a 500-year-old English cottage and her style is inspired by the countryside and surrounding nature. She is an advocate for a natural, rustic, authentic & simple home interior style.
Following on Instagram: 103K

Georgina Juel, UK Lifestyle Researcher

THE US 🇺🇸 Sara & Rich Combs

Sara and Rich run the Joshua Tree house, located California. Started by a need to “create a creative space”, they have designed and curated several vacation homes that provide a serene experience through the combination of beautiful design and appreciation of the natural desert landscape. 
Following on Instagram: 301K

Olivia Jensen, US Lifestyle Researcher

Facts & Figures

Industry Insights

There are globally 115,000 vacation rental companies.

21% of all vacation rental properties are in the US; 60% are in Europe.

74% of travelers prefer to be on the coast.

51% of travelers prefer mountainous vacations.

The most googled home decor trends in 2021

#cottagecore
#zen
#modernrustic
#transitionaldesign

 

 

Ema is the Lifestyle Researcher for the French market at VOCAST. She grew up in Brussels and previously worked with fashion PR. She is currently studying a master’s degree in international development and business and has a strong interest in sustainable and ethical practices within the fashion industry.

 

 

 

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Salvatori is an award-winning Italian design company specializing in natural stone and creating innovative products for every part of the home. Since 1946, innovation is entrenched in the DNA of the company. Drawing on the very best of Made in Italy values and cutting-edge engineering and technological know-how, Salvatori fuses old-fashioned craftsmanship with contemporary design. Working closely with architects, designers, and builders to provide not only practical support but also inspiring new ways to work with stone which often challenge traditional thinking.

Today the third generation continues the story of innovation and at VOCAST we are proud to support the digital expansion of such a legacy. We sat down with Salvatori to know more about the reasons why they chose VOCAST for their B2B digital endeavors. 

What were your digital needs before finding VOCAST?

We were using a series of different platforms and it got to the point that we realized our partners, dealers, and other parties needed a tool where they could find everything in one place. We wanted to make it easy to share resources such as images, documents, and so on.

What is your favorite feature of the digital showroom?

We love the tags and filters because it means the latest, freshest content is immediately available and easy to find when a user searches a particular product. Another favorite is the way you can choose images and add them to your basket – this is a really useful sharing tool for our press office. 

 

Our sales network has really noticed the difference, as they now have more autonomy in the way they access and share materials. We can also quantify the most downloaded and appreciated content which in turn, helps us to develop more relevant images and documents.

 

Discover Salvatori’s Digital Showroom

 

 

Let’s get digital

Why not give a visual experience that tells a story about your brand, just as you would in your physical showroom? VOCAST supports hundreds of brands by setting up their tailor-made image banks. It’s a place for their hand-picked editors, influencers, buyers, and retailers to access their assets on the go. Learn more about the VOCAST image bank feature here: https://vocast.com/digital-showroom

 

Ines is the Research and Marketing Manager at VOCAST.  She previously worked in the beauty industry and is now an expert in social media and digital marketing. Every day she helps design-driven brands navigate digital trends and carry out their marketing and brand strategies effortlessly.

 

 

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Content marketing is one of the most effective methods of developing brand presence, growing an audience, and driving sales for many brands. Consistency in brand messaging is one of the many factors that determine growth and control over a company’s narrative. Strong brands know how to portray their brand consistently and at every customer touchpoint. 

But how do you parallel this with your equally important partners, press, and other B2B collaborators? We sat down with Emmy Björling, PR & Marketing Manager at Swedish accessories and shoe brand ATP Atelier, to talk about the benefits of producing consistent and high-quality content. Learn how ATP Atelier efficiently distributes unique stories with their B2B partners. 

Why is producing quality digital content important?

For us to be able to stand out in the overly saturated fashion industry it’s important to not only create unique and exciting products but also to match that with interesting content. In some cases, content even trumps product in importance. The content tells a story the product can’t. In this day and age, most people shop to realize themselves and to associate themselves with a brand’s values rather than filling an actual “need” through a product.

ATP Atelier is known for fun and original content, how do you create something that grabs the eye and captures your brand identity?

We really value all the content that we do, which means that we put a lot of effort into how it will look and how it will feel so that the content really shows the core of the brand. It’s a constant flow process coming mainly from a team of four people in marketing. One of us has been working here for a very long time and she’s head of all the content that we produce. That is really something that helps us do almost everything in-house.

As for the inspiration, we get it from everywhere, from our creative director, the products we make, the community around us, etc…We also have a physical universe which is our Atelier, it’s much more than a store, we have other brands that we represent as well. All sorts of furniture and art that we feel are a part of our identity. We collect things around us that will be sooner or later be the inspiration for everything we do.

You also create specific content for specific retailers/stores, what are the benefits you see in doing this?

When you have a lot of different retailers around the world it might be difficult to present our brand the way we think it should be. But one way of keeping it all together is through the content that we share and create together.
For us content is so important and in that way we also want to share that with our retailers and our partners, it’s a win-win situation. That helps with keeping the narrative of ATP Atelier and the branding consistent.

In the case that we want to put a bit more effort into a certain partnership, we could for instance do a collaboration on a product level where we would do a product design together and we will also create content for that product. Sometimes we do content collaborations where we will share the story of ATP Atelier while including their products as well.

For example, we did a very successful collaboration with Net-a-Porter last summer where we created a product together – a cozier version of our Doris everyday sandals, we also worked on a content collaboration with the influencer Linh Niller. That content was shared between all of us on social media and other channels. By joining our forces together with Linh and Net-a-Porter we achieved create a very successful content collaboration.

What were your digital needs before finding VOCAST? 

We didn’t have an in-house team which means that we basically didn’t control any of the PR. We would send pictures via email or did simple wetransfers to different PR agencies. Our PR team was started together with implementing VOCAST. It simplified the whole process and we now do everything ourselves.

You create landing pages for your different collections detailing and sharing all the assets and essence of the collection. How did this idea come up?

It came up when we couldn’t travel or have anyone visit our physical showroom during the lockdowns. The whole media bank is where all pictures are but the focus is more on downloading the assets. I wanted to create an interactive page that you can share with anyone anywhere and that contains the spirit of each collection while keeping control over the narrative. It’s been great to share that because we also use it for our sales purposes, our sales team couldn’t travel as well and they use it for prospecting mainly and presenting the new collections.

What is your favorite feature of the digital showroom?

Creating and sharing selections, we use it a lot to send to stylists, to press, and partners. It’s so easy to be able to showcase in one go for example what are the heels for this season just for them to see.

What are some of the benefits you are already seeing with using our platform?

It makes a huge difference for us, if we didn’t have it we wouldn’t have a natural place to direct all the important people that should have the information for the upcoming season. I work with it every day and I think it’s an amazing solution.

Marketing teams are always working hard to make a great customer journey and I would say that as PR managers we are also focusing on creating that same journey for the whole process that comes before the end customer. VOCAST is a tool that helps us create that brand journey from start to finish. It also simplifies the whole sending back-and-forth of big assets.

 

Discover ATP Atelier’s Digital Showroom

About ATP Atelier

ATP Atelier was founded by two close friends Maj-La and Jonas. ATP Atelier was born out of the desire to create shoes and leather goods that couple contemporary Scandinavian design and authentic Italian craftsmanship. The mission is to challenge the concept of luxury – to make it smart, not redundant. With a sustainable mindset ATP Atelier sets out to create, not just because, but to make a real difference in women’s lives. Read more about ATP Atelier or discover their digital showroom

 

Let’s get digital

Why not give a visual experience that tells a story about your brand, just as you would in your physical showroom? VOCAST supports hundreds of brands by setting up their tailor-made image banks. It’s a place for their hand-picked editors, influencers, buyers, and retailers to access their assets on the go. Learn more about the VOCAST image bank feature here: https://vocast.com/digital-showroom

 

Ines is the Research and Marketing Manager at VOCAST.  She previously worked in the beauty industry and is now an expert in social media and digital marketing. Every day she helps design-driven brands navigate digital trends and carry out their marketing and brand strategies effortlessly.

 

 

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